rediscovered :: essays research papers

Heartland places the audience almost a hundred years pole in time, a technique that not only captivates wholenesss mind, but in any case allows for the unique opportunity to recover first hand history be re-told. Richard Pearce the director of Heartland saw a chance at heart this film to vacuous out previous interpretations of American homesteading Pearce paints a radically new picture, which may more accurately reflect the truth behind homesteaders. The inspirations behind Pearces documentary Heartland were the personal journals of Elinore Pruitt Stewart. Stewarts journals were published in 1914 in the sorting of a diary titled Letters of a Women Homesteader these enriched historical documents were used by Pearce in such a way that uncomplete Stewart nor anybody else would have ever suspected. Heartland first and foremost is a story of survival. Clyde Stewart and Elinore Randall Stewart are followed through their daily heart by Pearce, their struggles embody American h omesteaders crosswise the west and their own efforts to survive in the extreme cultural and climatical conditions they all faced. Scarcity of emotional state in all forms is a idea that is driven hard throughout Pearces film. The absence of food, wood, water and life create an absence of hope among the homesteaders. For Pearce homesteading was a last resort, an opportunity in a world which opportunities are limited to succeed. The grind and grit of termination life is truly captured through Pearces distinctive directorial access. His exclusive approach allows for the viewer to be almost transported back in time witness first hand to the butcher of a live pig and umpteen other daily frontier life chores. Pearces depiction of homesteading within his film Heartland contradicts his main source in almost all facets, indeed creating a whorl wind of controversy regarding Pearces intensions behind his film. Elinore Pruitt Stewart describes life dramatically different from the one Hea rtland reveals. Pearce drew upon this distinction to refute prior beliefs and truths carried by the Letters of a Women Homesteader. The Letters describe nature as a bountiful playground rich with discovery and treasures. Stewart describes a particular within her journals in which she is caught in a compromising position present I was thirty or forty miles from home, in the mountains were no one goes in the winter and were I knew the so got ten to fifteen feet late(Letters p.33). Stewarts casual attitude about this situation she has found herself in, along with the fact she did survive when she discovered safe haven within a conveniently placed log cabin, directs the reader/ historical audience to wad upon false conclusions of the homesteading life.